‘My- Grant’ on at the Jehangir Auditorium Gallery is an autobiographical narrative of artist Shilpa Nikam which becomes a sensitive critique about the trials and tribulations of migrant business communities in India and all over the world. Sushma Sabnis speaks to the artist about her journey..
National Academy of Agricultural Research Management, Hyderabad organised an art camp with students of Sir JJ School of Art, Mumbai. The way science, art and technology synergised on the canvases at the camp, restores the hope of the agrarian community today.. writes Sushma Sabnis.
In a world fraught with the deceit of conmen and hustlers with beards, artist Devidas Agase presents his recent works ‘Bahuroopta/ Polymorphism’ as a well timed critique on this dystopian masquerade ball and its aftermath on the lives of the living, observes Sushma Sabnis
The recent solo of artist Sheetal Gattani, at Chemould art gallery, Mumbai titled, ’46 Pillars’ is about more ways of seeing than just an interesting architectural intervention within a gallery space, observes Sushma Sabnis
A true Gandhian, K G Subramanyan stood for truth. His life was a prolonged satyagraha. His death too was one, says JohnyML.
Feature: Bombay Duck is a Fish: Art at CIFE, Mumbai / Matsya Kala Workshop at CIFE / Sushma Sabnis While building a good art collection for an institution is no easy task, certain institutions like the Central Institute of Fisheries Education (CIFE) silently engage new methods of art acquisition and realign the perspective of seeing art as a…
Artist Prabhakar Pachpute’s solo show titled ‘Te Tolanche Dhaga Navhate’ comes full circle, drawing in the stories of the desolate cotton farmers turned coal miners of Chandrapur, at the NGMA, Mumbai.. observes Sushma Sabnis.