The solo show of artist Gulammohammed Sheikh titled ‘Kaarawaan and Other Stories’ at Chemould Prescott gallery, is like looking through Harry Potter’s pensieve to be greeted with familiarity, blurring time and space, a happy reunion with bygones .. writes Sushma Sabnis
Artist Manoj Paturkar’s works in the two-person show, ‘Tathaata’ were led by the principle of automatism and the outcome was simply mesmerising. Upon his request, the catalogue essay written by Sushma Sabnis is being republished here as an article. Do read
In a recently concluded two-person show, ‘Tathaatha’, the work of artist Anuja Paturkar metamorphoses onto large canvases like formations of earth itself. The catalogue essay by Sushma Sabnis, is republished here for reading and understanding Anuja’s exemplary works.
Step into the world of artist Shahidul Alam’s ‘Singed But Not Burnt,’ a retrospective show at Sakshi Art Gallery, Mumbai, which isn’t just a display of photographs, it is a journey through the triumphs and struggles of humanity captured through an intelligent and sensitive lens, writes Sushma Sabnis.
Nature herself peers through the looking glass captivated by ‘Samsara’ at Jehangir Art Gallery, where artworks of artists Rashi Jain and Pradeep L Mishra present mesmerising displays. A review by Sushma Sabnis
Enter the world of artist Mansha Chhatwal, a ground of intense seismic activity, where the burning of a banned book creates smoke signals high enough to air generations of snuffed-out rebellious voices against oppression and omission of culture. A profile by Sushma Sabnis.
In his recently concluded show at Sakshi Gallery, titled ‘Lipstick Stories’ artist Roshan Chhabria colours much more than just nostalgia on chai-tinted canvases. A rose-tinted review by Sushma Sabnis.
When work is worship, medium and technique become prayers for the manifestation of imagination, as Hansodnya Tambe’s artworks portray in his solo ‘Bhu Dhamma Pada’ at Nine Fish Art Gallery, Mumbai, writes Sushma Sabnis
Four artists showcased their works in the show titled ‘Divine Enigmas’ at Jehangir Art Gallery, Mumbai, aiming to fathom the unfathomable through their art, writes Sushma Sabnis.
Despite scepticism from doubters, ‘Ikattha – Edition 3’ by the Po10tial group perseveres, encouraging young and mid-career artists by self-sustaining efforts with unwavering commitment, writes Sushma Sabnis
Artist Anant Nikam aims to evoke the ineffable sensation of melding work and worship into an intense expression in his solo ‘Transmit’ at the Nine Fish Gallery, writes Sushma Sabnis
Artist Pradeep Puthoor’s oeuvre betrays his stern demeanour and dives headlong into everything fr
Yogesh Murkute’s vivid abstractions speak a contrasting dialectical language, echoing across the world’s spatial planes, observes Sushma Sabnis
Artist Jayashree Patankar is a conscientious practitioner of the folk art form of Chitrakathi, integrating traditional narratives with contemporary themes contributing to visual culture in her forty-five-year career, a feature by Sushma Sabnis
Artehelka 