National Academy of Agricultural Research Management, Hyderabad organised an art camp with students of Sir JJ School of Art, Mumbai. The way science, art and technology synergised on the canvases at the camp, restores the hope of the agrarian community today.. writes Sushma Sabnis.
In his recently concluded solo show, ‘Me Beyond Me’ at Jehangir art Gallery, Mumbai, artist Mallikarjun Katke displayed a few paintings, a video work and an array of installations which seemed autobiographical in nature, or were they?.. a critical review of the show by Sushma Sabnis
In the recently concluded two persons show ’Time.. little time’, artists Lester Paul and Glower Paul bring to light the true visage of the conflict zone of contemporary society while time passes by as a silent witness over this looming battle ground… observes Sushma Sabnis
In a world fraught with the deceit of conmen and hustlers with beards, artist Devidas Agase presents his recent works ‘Bahuroopta/ Polymorphism’ as a well timed critique on this dystopian masquerade ball and its aftermath on the lives of the living, observes Sushma Sabnis
There is an interest of somebody to move the art activities to Fort Kochi completely. And could it be the result of the futuristic thinking that the Durbar Hall, one of the venues of the KMB may be reclaimed by the artists through the help of the Lalitha Kala Akademy? Is it a ploy to divide the opinion of the artists who do not totally agree with either Akademy or the KMB? Is it a way to create more spaces for the artists in Fort Kochi so that the mainland would be abandoned and an exclusivity would produced around the location and aesthetics within Fort Kochi? Who is the manipulator behind these moves? Is it a part of legitimizing certain art activities?
EDITORIAL: Debating the False Notions about Failure in Art and Poverty of the Artist / Johny ML Hochimin PH, a Kochi based artist posts the pictures of one of his granite sculptures in the Facebook and many people like it. The artist makes it amply clear that it is not an ‘independent’ work but an…
In this editorial JohnyML asks why Indian artists are becoming increasingly irrelevant in global as well as national scenario. He makes an interesting parallel between Ram Kinkar Baij and Subodh Gupta saying: Baij openly defied such scholarship and indulged in frolicking a bit. Gupta was rebellious when he did the initial performances and when he chose to metal cast the Bihari-ness (the objects). But later he turned into a conformist, shying away anything that would make him responsible for the contemporary culture of the country. I do not argue for the artist to be a scholar and a political commentator. But Baij was political in his works, Gupta is not. Gupta has mythology in his works (in the Barthesean terms), Baij had living histories in his works. That’s why Baij remains and Gupta fades.
Artist Santosh Rathod in his recently concluded solo at Jehangir art Gallery, Mumbai, tries to strike a balance between the inner and outer realms he inhabits, standing at the precipice of abstraction..observes Sushma Sabnis